the reference

reading [Memex]:
Vanevar Bush, As We May Think, The Atlantic Monthly, July 1945.

All the way back , Vanevar Bush imagined an information appliance that is still in many respects more powerful than anything we have today.

readings [Ted Nelson]:
Computer Lib/Dream Machines, 1970-1974,
from the excerpt in The New Media Reader, 303-317, 319-322, 335-338.
Literary Machines, 14-17.
A file structure for the complex, the changing and the indeterminate, Proc ACM 20th National Conference, 84-100, 1965.

Early in the 1960's, Ted Nelson coined the term hypertext, to mean forms of non-linear writing. Hypertext is characterized as a directed graph structure of nodes and links. From the start of its conception, writers and computer scientists have been involved.

reading [Labyrinth]:
Jorge Luis Borges, The Garden of Forking Paths, in
Ficciones, -or-
Labyrinths; selected stories & other writings,
1941.

How can this short story from a prior era serve as a metaphor for hypertext structure?!

reading [Found Objects]:
Lucy Lippard, Dadas On Art, Englwd Cliffs NJ: Prentice Hall, 1972.
excerpt 139-143: Marcel Duchamp

Marcel Duchamp's Fountain was perhaps the most important art work of the 20th century. How did this anti-masterpiece demonstrate the power of context, when an object is referenced?

reading [Hyperreal]:
Jean Baudrillard, The Ecstasy of Communication, in Hal Foster, The Anti-Aesthetic: Essays on Postmodern Culture. New York: New Press, 1983.
on electronic reserve.

Baudrillard coined the term hyperreal to describe a socio-cultural phenomenon, in which electronic media realities become more significant than physical realities. Recently, The Matrix films have brought this conceptual perspective into the spotlight of popular media.
designed for mozilla 1+ and ie 6+
an interface ecology lab production